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By E. M. Forster

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Culture in the Age of Three Worlds. London and New York: Verso, 2004. Eliana Bueno-Ribeiro AMERIKA FRANZ KAFKA (1927) The Czech writer FRANZ KAFKA (1883–1924) wrote Amerika between 1911 and 1914, but the novel was not published until 1927, several years after the author’s death. Kafka never crossed the Atlantic to America, and much of his knowledge of the New World was drawn from family lore and writings by Charles Dickens (who wrote of his travels in the United States) and the fantasist Karl May.

The reader’s compassion leans not toward the ambivalent figure of Joan Madou but instead toward Kate Hegström, Ravic’s cancer-sick patient, whose friendship with the male protagonist and grace and dignity while facing her terminal disease remind one of other sympathetic female characters in Remarque’s works. Arch of Triumph, received rather coldly in Remarque’s native Germany, became an instant market hit in the United States and was filmed for the first time in 1948. Unfortunately, the star cast and the director of the Oscar-winning adaptation of ALL QUIET ON THE WESTERN FRONT, Lewis Milestone, were not enough to ensure the movie’s success.

Many Brazilian literary critics have considered Amado’s fiction works, mainly the part published in and after 1956, too steeped in prejudice against the owners of commerce and in favor of the poor classes. According to these detractors, Amado’s characters disguise Brazil- ian problems and conflicts in a mixture of sensuality and mysticism, methods that avoid real discussions of the country’s dire problems. A new generation of critics—among them Eduardo de Assis Duarte, who wrote Jorge Amado: Romance em tempo de utopia (Jorge Amado: Romance in Utopia Times)—has offered a fresh view of Amado’s oeuvre.

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